The Matt Smith Review: Part 8 - Vincent and The Doctor
What We First Thought: Nice
story, with plenty of emotional subtext
There’s a great saying that ‘an artist’s work is only valuable when they’re dead’. In the case of Vincent Van Gogh, his
turbulent life-story probably adds another couple of million to the value of
his extraordinary work. He was an artist who suffered
with mental illness in a time that didn’t comprehend the meaning of such. Vincent
and The Doctor just about captures the character of Vincent, thanks in no
small part to a great performance by Tony Curran.
Bill Nighy pops up in a cameo role as art expert Dr. Black
(not being credited – perhaps because he did it as a favour to his mate Richard
Curtis?) He was very good, as he built up a good rapport with The Doctor. Dare I say that this is a far better role for
him than The Doctor, which he was reportedly offered back in 2004? He’s a great
actor, but I just don’t believe he’ll be able to relate to an audience like
Eccleston did, so I think the right decision was made all round. Nighy is more
at home playing the humorous ‘upper class toff’ and every second of his
performance in this, was a joy to watch.
The only real criticism I have of this episode was that it
seemed to be very slow-moving at times, but yet the story was more-or-less over
after 30 minutes. The lack of a cast
probably played a part in this, but we really could have done with a bit more
background on the monster (or ‘Space Turkey’ as I like to call it!) I thought the fact that Vincent was the only
one who could see that monster was a nice touch though. It’s established in the episode that he can ‘see things that people can not’, which
can be extended from his ability as an artist, seeing the beauty in anything. Even Amy!
Although a nice gesture from The Doctor at the end, Amy’s
thought that it could have proved a bit risky and would have changed history,
proved to be incorrect. In fact you
could say that The Doctor showed Vincent his destiny, giving him the strength
to carry on and paint. What happened
next in his life was due to his troubled mind and I think that aspect was
handled very delicately. It’s a bit
difficult for a family program to show a story of his real depression and I think
it was pitched just right. The relation
between Vincent and the monster was very similar – both alone, both sad, both
blind to their true path in life.
Perhaps the downfall of the monster made Vincent realise this? In fact, this was the first time a Doctor Who
episode had a ‘BBC Action Line’ phone number during the credits, so that just
shows how seriously they took on the subject. The scenes with the people at the Café
played a part in the subject matter – the death of the girl, although not directly blamed
on Vincent, was seen as his fault because ‘he’s
mad’. People often blame things on
people they don’t understand and I thought this was a good way of showing
viewers that.
Overall, Vincent and The Doctor is a decent episode that
touches on an emotional subject, nothing more, and nothing less.
What
We Think Now: Nice story, with plenty of emotional subtext.
But nothing much else.
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Your (5 Word) Reviews
@Mr_Brell: "Bill Nighy is almost watchable"
@backtoblack5: “Giant space chicken? what the.....? (Lucky its not a 6 word review)”
@AlistairGauld: “Amy gets her Sunflowers but...”
@Mr_Brell: "Bill Nighy is almost watchable"
@backtoblack5: “Giant space chicken? what the.....? (Lucky its not a 6 word review)”
@AlistairGauld: “Amy gets her Sunflowers but...”
If you would like to contribute a 5-word review for The Lodger please @ us on Twitter, using the hashtag #thekingsarmsarerubbish, or post on our Facebook Page!
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